Stage Write

  When it comes to art, every person who views it can see something different. Even a simple color can mean a variety of things, stirring memories or emotions that bring on diverse reactions. The Indiana Repertory Theatre’s “Red” is a two-man play that explores the topic of art in all of its forms.     Abstract expressionist painter Mark Rothko hires a young man to help in his studio in the 1950s. The two very different men give us two distinct viewpoints of the world of art. We see things through the eyes of the seasoned artist who has already found success. Then we see the point of view of his assistant, who shows joy and enthusiasm for everything around him. The old and the new come to a head as Rothko pushes the novice harder and harder, and the conflict leaves them both raw.     The performers themselves bring such power to the show with their portrayal of the two men both tortured in their own ways. Henry Woronicz plays the cantankerous Mark Rothko with a delicate bal

“I'm just a sweet transvestite, from Transexual, Transylvania,” if you don’t immediately recognize those lyrics than this probably isn’t the show for you. This cult classic, the basis for the 1975 film, has a strange story. A young couple find themselves stranded when their car breaks down in the middle of nowhere. They end up at the home of Dr. Frank-N-Furter and their bizarre night gets even weirder as they meet his devoted crew of miscreants. The elegant Athenaeum theatre is an oddly fitting setting for the musical. The set included a full catwalk and scaffolding that allows the cast to take advantage of the whole stage. There were some occasional audio issues and moments when the music overwhelmed the actors’ voices, but it was a minor issue. Zach Rosing Productions did an excellent job casting actors who were willing to throw themselves full force into the roles. Without their enthusiasm the show could have easily fallen flat, but instead the whole audience cau

ALCESTIS   Greek tragedy isn’t always at the top of everyone’s must see list, but this beautiful play dips into both the dark and light that every life holds. This production is based on Ted Hughes’ translation of the original play by Euripides. His skill as a poet is clear in each well-crafted line. From the opening scene we learn that Alcestis is dying, she has given her life so that her husband Admetus can live.   Alcestis, played by Melisa Pereyra, gives a hallowed-eyed performance as the selfless queen. To carry her to the Underworld is Death, deliciously played by Brian Mani. He’s charming in his chilling condescension.   The play’s second act isn’t as smooth or concise as the first, but it comes full circle by the end. We meander a bit as characters deal with the consequences of Alcestis’ death.     The play explores the ideas of grieving, sacrifice, and life carrying on despite mourning. In one man’s struggle with his wife’s death we can see mankind’s struggl