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Nina Simone: Four Women

Nina Simone was one of the most impactful voices of the Civil Rights movements. This play gives audiences a glimpse at her struggle to use her lyrics to fight during that horrific time. Her story is woven in with the 16th St. Baptist Church bombing in 1963. The set is built around a piano which provides live music throughout the show. There are stained glass windows, burned carpet, and collapsed pews, immediately pulling the audience into the tragedy. The success of this production rests on the voices of the actresses and what a success it is! Without incredible singers, the rest falls flat. Each of the four give beautiful performances, but it was the voices of Akili Ni Mali as Nina Simone and Jamecia Bennett as Sarah that brought the house down. Packed with such passion and incredible skill, they make the show pulse with righteous anger and sorrow. Bennett’s rendition of “His Eye Is on the Sparrow” feels like a portal into a church service. Akili’s fury is a sight to behold as...

Moulin Rouge! The Musical

Lovers facing an impossible obstacle, catchy pop song medleys, and epic Parisian sets, what more could you want? Moulin Rouge is the story of a courtesan with a secret and a young artist blinded by love. It’s a premise that’s hard to resist. Fans of the original movie (2001) will recognize many of the big numbers, but in this new iteration, the songs have been updated. Brittney, Beyoncé, and Adele’s work are all present, but lesser-known songs from artists like Regina Spektor make surprisingly delightful appearances. The unexpected pop hits could’ve been gimmicky, but it works because the performers nail their vocals and the audience cares deeply about the characters. After a whirlwind opening in the nightclub, the show finds its footing as we slow down and meet our Bohemians. In the classic style of RENT, La Boheme, and Les Mis, we fall for the poverty-stricken artists with big dreams. There’s so much playful humor, even in their stark tawdry world that the overarching feeling i...

Murder on the Orient Express

I love a locked room mystery, but put that room on a train mired in a snowstorm and you’ve got a classic. Agatha Christie’s Murder on the Orient Express is the perfect mix of fascinating plot and exciting twists and turns. Even when you know the final reveal it still entertains. Ken Ludwig’s adaptation is particularly excellent; tightening the story, dropping clues in every scene, and pulling the audience in quickly. In the opening moments an eerie voice over adds a layer of creepy intimacy to the story. It sets the stage for the mystery that’s about to unfold. The real kidnapping of the Lindbergh baby provided the inspiration for this mystery, which gives it an added gravitas. Once we are on the train, the sets are beautiful. The bar car is particularly splendid and William Mohoney’s design uses space well with a turntable and an additional set on a balcony. The cast is full of Beef & Boards favorites like Eddie Curry, Suzanne Stark, Devan Mathias, Scott Greenwell, and Ben...

Much Ado About Nothing

The American Player Theatre is just a quick drive north to Wisconsin. For 45 seasons APT has produced a wide range of shows each summer in both their large outdoor theatre and smaller indoor location. It is always worth the drive. Much Ado About Nothing is the classic enemies-to-lovers story that set the standard for all the thousands that followed it. Merciless barbs are tossed back and forth between Beatrice and Benedick before the pair realize they’re actually in love. This production is set in a seaside town, complete with a maritime theme. Beatrice (Jessica Ko) and Benedick spark like wildfire. Their chemistry is essential for the show to work, and their verbal sparring is a joy to watch. Marcus Truschinski wears his full heart on his sleeve even when jesting as the loveable Benedick. The gentle deception of their friends pushes Beatrice and Benedick together despite their stubborn natures. Not since the film “It Happened One Night” has a sheet and a clothesline been u...

White City Murder

There are a few Indy performers whose name alone is enough to get me to their show. Ben Asaykwee and Claire Wilcher are two of those actors. They’ve come together for “White City Murder”, an original musical Asaykwee created about the serial killer H.H. Holmes, who made his mark at the Chicago’s World Fair in 1893. To carry off a successful two-person musical conveying a massive amount of historical content, you need the most charismatic performers. I can’t imagine the show without Wilcher and Asaykwee. They swing from playful and campy to melancholy and disturbing in the span of a single song. They share props, trade accents, and use a simple red glove to play dozens of characters without ever making things confusing. The outrageous nature of the show keeps things moving at a brisk pace and it never lags. Most numbers use an audio looping machine to provide harmonies and backdrops. That, along with a piano built into a cabinet on the stage, is all they need to provide music in...

The Wizard of Oz

A trip on the yellow brick road is not a rare occurrence in local theater, but some productions just hit it out of the park. The current one at Beef & Boards Dinner Theatre managed to find the perfect cast, include a wonderfully fresh and diverse group, including Bessie D. Smith as the delightfully devious Wicked Witch of the West. Grace Atherholt gives off serious Judy vibes as the lovely Dorothy. She’s perfect for the role. Her three sidekicks are gentle, kind, and wonderfully encouraging as she embarks on her perilous journey. Joey Boos is particularly sweet as her knock-kneed scarecrow. The costumes are excellent. From a plethora of munchkins to sassy crows, elegant apple trees to a witch in leather pants, I loved every detail. I also thought the transition from sepia to color on stage was beautifully done, with great attention to detail all the way down to Dorothy‘s gingham dress. The supporting cast is large and does a wonderful job. Hannah Boswell stands...