Stage Write

  Bard Fest, Indy's only annual Shakespeare Festival, is producing the epic two-play cycle of Tony Kushner’s Pulitzer-prize-winning Angels in America. They will present Part One - Millennium Approaches and Part Two - Perestroika in rotation throughout the month. In anticipation of its landmark June premier, some of the cast of Angels in America (AIA) answered some questions about the show. Q: What themes does Shakespeare’s work share with Angels in America? A: Matt Anderson (Louis): Many of Shakespeare’s works are so sweeping and encompassing, stretching out for hours and taking time to delve into love, politics, relationships, self-worth, life and death, prejudices and pain, blood and ghosts, hilarity and horror, the mundanely real and the confoundingly supernatural… and Angels in America explores deeply all of those themes and more. Mira Nehrig (Harper Pitt): Oh, truly, there are so many. Shakespeare would grapple with politics, gender dynamics, and family within one play (wheth...

One of the highlights of this year‘s Bard Fest is the rarely-produced King John. There are whispers of other Shakespeare plays echoing in the heartbreaking history All the classics are there but presented in a show that’s often overlooked. There are warring families, devious brothers, and vindictive paranoid monarchs, all grasping at power with greedy fingers.    The show is produced in a new space for the festival. The Shelton Auditorium is breathtaking in its layout. Doug Powers’ direction takes advantage of the incredible facility to stretch the action up the stairs to create the fiction of a fortified city. The battles often happen off stage which keeps the snarky banter front and center. It is a verbally dense play rich with prose. Georgeanna Smith Wade is a revelation as Duchess Constance. Like so many of the other actors, she plays multiple characters, but it’s her turn as a grieving mother that is worth the price of admission. Unfortunately, her character disappe...

  The finale of this year’s bard fest is Elizabeth Rex, a play based on the true story of the execution of the Earl of Essex, the Queen’s lover, for treason. This fictionalized account takes us into a barn holding Shakespeare and his players on the eve of the execution. They receive a visit from the Queen on this pivotal night in her rule. It’s a regional premiere production and an absolute coup for the Bard Fest and a testament to how the event has grown over the years. The scale of the production reaches new heights on every level. This is also the first time they have produced in the Theater at the Fort in Lawrence. It’s a beautiful space, and the set includes a two-tiered barn with lanterns and candles setting the mood. The story explores the delicate balance Shakespeare had to find between writing powerful stories and not offending the Queen. It also debates the societal expectations placed on a ruler who was a woman in a traditionally male position of leadership. Glenn Dobbs’...

Mark your calendars! The dates and locations of this year's Bard Fest have been announced. The annual festival brings together multiple theatre companies and this year, multiple locations, to present Shakespeare's work.  The Shakespeare festival is returning to the IndyFringe Basile Theatre and expanding to The Cat Theatre in Carmel and The Theatre at the Fort in Lawrence. It will include all new original productions of Measure for Measure, Antony and Cleopatra, Love’s Labour’s Lost, and  Macbeth. It will also feature two additional productions of Edward Albee’s Who’s Afraid of Virginia Woolfe? and the award-winning Elizabeth Rex by Timothy Findley. The shows, produced by Bard Fest,  will continue to bring the region’s finest actors to Indianapolis and provide unique visions of the Bard of Avon along with modern classical contemporaries. Bard Fest was first conceived by Glenn Dobbs in the spring of 2015. Launching with an admittedly “overly ambitious” schedule of eight p...

Indy's Shakespeare festival is back for its 5th year! Bard Fest 2019 includes productions of "Henry IV", "Hamlet", a youth production of "The Tempest", and the regional premiere of "Lear's Shadow" by Elerding - an award-winning adaptation of King Lear. For tickets and more info, visit their website here. 

Mark your calendars! The dates and locations of this year's Bard Fest have been announced. The annual festival brings together multiple theatre companies and this year, multiple locations, to present Shakespeare's work. This year's selection includes three popular plays produced by the founding companies, plus a new treat, a youth production. The Tragedy of Romeo and Juliet                     The Merchant of Venice Directed by Zach Stonerock                                Directed by Doug Powers Catalyst Repertory                                                First Folio Productions Much Ado About Nothing                                ...

  From the moment Matt Anderson takes the stage, his seething and scheming Richard III demands your full attention. It's a role that would be easy to over act, but instead Anderson's portrayal is raw and visceral. He has frequently popped up in supporting roles over the years, but this play gives him a chance to stretch his wings and show what he can do. He is mesmerizing as the simpering villain. Under Glenn Dobbs’ direction, some of the simplest moments are the most powerful. There's a scene where the two ill-fated nephews grasp hands, and that simple gesture conveys so much emotion.   The set is simple, consisting of only a few chairs or benches. The audience surrounds the stage on three sides and the cast makes the most of the intimate space.   Christina Howard’s plays both Lady Anne and Lord Grey, but it’s her performance as the grieving widow that is particularly powerful. She and Allison Clark Reddick (playing Queen Elizabeth) are both beautiful studies o...

Bard Fest wrapped up its second annual events this past weekend. This year’s festival included three different Shakespeare productions, by three companies, in rotation: Twelfth Night from Garfield Shakespeare Co., King Lear from First Folio, and Coriolanus from Catalyst Repertory. One highlights of the festival is that audiences are able to see plays that are rarely produced in Indiana .  I was only able to make it to King Lear, something I hope to remedy next year. The productions obviously have a small budget, but they make the most of what they have. Costumes are simple and the stage is sparse, highlighting the performances over the atmosphere. Carey Shea’s direction wisely focuses on relationships over action sequences. David Mosedale is the titular king. He’s flustered and frustrated by his situation. His brokenness is clear in the second act. Ann Marie Elliott plays both the rejected daughter Cordelia and the Fool. Her performance as the former is emotional and ...

Indy's Shakespeare festival is back for a second year! The annual event runs from October 13 through October 30. The three main shows this year are Coriolanus, King Lear, and Twelfth Night. Founded by & managed in partnership with The Carmel Theatre Company, First Folio Productions, Catalyst Repertory (formerly CRP) & The Garfield Shakespeare Company. Bard Fest Indy was founded by 3 Indiana-based theatre companies to bring a professional quality, yet intimate, Shakespeare festival experience to central Indiana. Through their partnership with The Carmel Theatre Company, Bard Fest is able to not only provide paying work for local area actors, but also provide 3 unique visions under one intimate roof. Opening Weekend Celebration: Opening weekend will include buy-one-get-one tickets to the Shakespeare anchor shows, and will also feature two special guest shows by the critically acclaimed Fringe performer and classical literature scholar, Timothy Mooney. They ar...