Stage Write

Sense & Sensibility by Jane Austen At its heart, Sense and Sensibility is not about romantic love, though it does include swoon-worthy moments, it’s about the love between sisters. As vastly different as they may be, that connection was deeply understood by Jane Austen and was lovingly captured in this story. Laura Rook is perfect as Elinor; the picture of quiet grace and strength even in the most trying circumstances. Marianne (Samantha Newcomb) is the fire to Rook’s ice and sparkles with passion. Jamal James’ Edward steals all the scenes he’s in. He and Rook have a sweet chemistry that embodies the reserved affection of their characters. This beautiful adaptation by Jessica Swale fleshes out the scenes between Edward and Elinor. It played up lovely moments of humor and used Margaret as a tool for added interaction between the characters. Director Marti Lyons makes use of every moments. The audience was so swept up that some people were gasping and calling characters names...

  To return to the American Players Theatre after the pandemic hiatus is magical. All the elements that we’ve missed for the past year are waiting for audiences at the top of the hill. Cymbeline The theatre’s production of Cymbeline is a revelation. The all-female cast flips the tone from oppressive misogyny to tongue-in-cheek barbs and iconic strength. What originates as a story about the value of women based on their chastity and rooted in the mistrust of Imogen’s word over an almost stranger’s transforms into a story of her carving out her own life. The core of that strength always existed in Shakespeare’s words, but the show is often played with Imogen acting only as a casualty of circumstance, a path to her husband Posthumus’ fall and redemption. In director Marti Lyon’s hands and Melisa Pereyra’s barely-contained rage, Imogen has a chance to rise above the role of victim. Cymbeline has always been a fascinating show because unlike Othello and other popular Bard plays, the cha...