Stage Write

  Clue, the classic whodunit farce, kicks off Beef and Boards Dinner Theatre's 50th anniversary season. The mystery show takes the famous board game and film and turns it into a play. Each character is given a weapon and a motive and the murders begin. Eddie Curry directs the fast-paced production and keeps the actors as close to their movie counterparts as possible.  The cast reads like a who’s who of Beef and Boards' favorites including Suzanne Stark, John Vessels, Deb Wims, David Schmittou, Jeff Stockberger, and Sally Scharbrough. Audiences might also recognize a subdued Ben Asaykwee in a very different role than many of his other productions. Scot Greenwell particularly shines as the timid Mr. Green. For each cast member, the role plays to their individual strengths. Schmittou's impressive monologue explaining each of the crimes at the end is an absolute highlight.  The set is incredibly simple, a turntable with half a dozen doors perfec...

Sonia and Vernon are a classic case of opposites attract in Beef & Boards' season opener They're Playing Our Song. The romantic comedy is great for anyone feeling nostalgic for the late 1970s. The decade specific choreography and costumes play such a prominent role, it's hard to imagine the story at any other time. The show is the first of eight musicals in the 2019 lineup at the dinner theatre. Though this musical isn't as well-known as others, it features the work of playwright Neil Simon. His quick-witted banter is delightful and with only nine songs, this musical depends more heavily of dialogue than others.   Though they are assisted by a few supporting cast members who reflect their inner struggles, the show mainly rests on the shoulders of the two leads. Sarah Hund  has become a favorite at Beef & Boards for her playful sense of humor and vocal skills. Both serve her well in the role of the flaky, eccentric Sonia. She’s all heart and little ...

  Miranda is a CIA operative working in Yemen in the current upperstage production at the Indiana Repertory Theatre. Written by IRT's playwright-in-residence James Still, the show is the third play in a trilogy he created. The first play, The House that Jack Built premiered at the IRT in 2012. The second play, Appoggiatura, is part of the theatre's 2017/18 season. Each play works as a stand alone, but they deal with a single family and a tragedy that has shaped their lives.  At its heart Miranda is about identity. The titular character is strong-willed and stubborn. The only thing fluid about her is the constant shift in her public persona. She goes by four different names in the short time we have with her. Her identity is shaped by her work and family.When her faith in the identity she's created is shaken, she begins to question everything.  Jennifer Coombs embodies the broken but brash Miranda. Her layered performance captures the troubled spy's inner turm...

  Slamming doors and mistaken identities, it must be time for Beef & Boards Dinner Theatre’s season opening show! For the past few years Beef & Boards has opened every season with a slapstick farce. This year’s selection is Lend Me A Tenor, a Ken Ludwig comedy. A famous tenor, Tito Merelli, is scheduled to sing in Cleveland when unexpected obstacles complicate things. His highly-anticipated performance puts pressure on everyone involved, including a young man named Max and his boss Saunders.   The set is a simple hotel suite with clean lines and countless doors. It works wonderfully for the whirlwind production, which has actors coming and going at break neck speeds. The costumes are also particularly fun. The characters are decked out in evening gowns and tuxes for the big night and the performers don purple tights.      Max, played by David Schmittou, is a bumbling good guy with Bryan Cranston’s looks and Clark Kent’s sweet charm. He fin...

Beef and Board Dinner Theatre kicks its 40th Anniversary Season off in style with the classic screwball comedy Arsenic and Old Lace. Mortimer, a young theatre critic,  learns his two aunts are murders and his long-lost brother returns all in the same night. Chaos ensues as Mortimer tries to keep anyone else from getting killed.  David Schmittou is excellent as the straight man Mortimer trapped in the farcical situation. His bewilderment and consternation at his family's madness is hilarious. He says more with one incredulous face than a dozen lines of dialogue could convey.  One of my favorite bits in the show are the playful jibes at theatre critics. Mortimer hates the theatre and spends hours lambasting new plays and saving time by "writing the review on the way to the show." You can't help but think that was a bit of revenge from a frustrated playwright.  Eddie Curry plays Dr. Einstein perfectly, channeling the long-dead Peter Lorre who playe...