Stage Write

The Golem of Havana is set in the 1950s as the people of Cuba waver on the brink of the revolution. A young Jewish girl named Rebecca is growing up in her father's tailor shop, oblivious to the turmoil around her. She writes stories of a superhero, the golem; the fabled protector she’s grown up hearing stories of from her European mother. When their maid’s son, a rebel fighter, turns up the family must make a decision that will determine their future in this volatile world.   The premise echoes one that’s repeated too often throughout history. It’s a story of oppression and rebellion, strength in resistance and the tough moral choices that go hand-in-hand. It reminds me of Anne Frank's story and Les Miserables and dozens of others. Persecution is the same no matter what political face it wears.   Maria, the family’s maid, is played by Teneh B. C. Karimu. She gives a powerful performance as a mother in search her child. Eric Olson, who has already proved his singing ...

When audience members enter the Studio Theat er in the Carmel Center for the Performing Arts they are transported straight into the Kit Kat Klub in 1930s Berlin. Scantily-clad dancers say willkommen as they point you to your seats and the red lights set the mood. Cabaret is on stage now and the timing couldn’t be better.  Cliff (Eric J. Olson) is a young American author who finds his way into the city in the midst of a perpetual celebration.. He meets Sally Bowles (Cynthia Collins), a whirlwind of flirtatious energy and a singer at the Kit Kat Klub. Despite their drastically different temperaments, the two pair off.  Ben Asaykwee is the infamous Emcee and it’s worth hightailing it to Carmel for his performance alone. He steals every scene he’s in with a raised eyebrow and lascivious grin. His performance is more Alan Cumming and less Joel Grey, but with its own unique feel. Whether he’s teasing the dancers on stage or posing with a pineapple, you can’t look away. ...