Stage Write

  To return to the American Players Theatre after the pandemic hiatus is magical. All the elements that we’ve missed for the past year are waiting for audiences at the top of the hill. Cymbeline The theatre’s production of Cymbeline is a revelation. The all-female cast flips the tone from oppressive misogyny to tongue-in-cheek barbs and iconic strength. What originates as a story about the value of women based on their chastity and rooted in the mistrust of Imogen’s word over an almost stranger’s transforms into a story of her carving out her own life. The core of that strength always existed in Shakespeare’s words, but the show is often played with Imogen acting only as a casualty of circumstance, a path to her husband Posthumus’ fall and redemption. In director Marti Lyon’s hands and Melisa Pereyra’s barely-contained rage, Imogen has a chance to rise above the role of victim. Cymbeline has always been a fascinating show because unlike Othello and other popular Bard plays, the cha...

 Don’t let the comically large nose fool you, this one is a heartbreaker. The Indiana Repertory Theatre’s minimalist production of the classic Cyrano features just three actors. It’s a quiet romance about Cyrano (Ryan Artzberger) and his unspoken love for Roxane. There are a few sword fights, coordinated by Jeb Burris who pulls double duty playing six different characters in the show. Jo Roets’ adaptation clocks in at just 1 hour and 20 minutes, with no intermission. Melisa Pereyra truly shines as Roxane. Despite the hurdles of a virtual viewing, her passion, fear, and grief radiate off the screen. Her real-life spouse, Jeb Burris, makes for a convincing partner in their scenes together. Linda Pisano's lovely work on costume design allows believability as Burris navigates between all of his roles. Russell Metheny’s set design is functional but sparse, lacking the usual detail of an IRT production.  A note on the streaming experience. The show is $30 and you have a week to watc...

One man, three fiancés, one Paris apartment; what could possibly go wrong? The Indiana Repertory Theatre presents Boeing Boeing, a farce set in the 1960s and complete with all the hallmarks of the genre. The three women are all flight attendants from different countries.  Bernard (Matt Schwader) is a charming man whose selfish view of the world leads him to believe that dating three women, who all think they're the only one, is the perfectly acceptable. When his old friend Robert arrives from Wisconsin the show really gets moving. Robert (Chris Klopatek) is bumbling and sweet and completely overwhelmed by this unusual situation. His naïveté pairs well with Schwader's worldly confidence. The essential element of any farce set is plenty of doors! The trendy '60s set, complete with period furniture and art, certainly covers that criteria. With seven doorways, the characters have plenty of options for dramatic entrances and exits. A porthole window and balcony add ev...