Stage Write

A lot has been said about The Book of Mormon in the last few years, so I knew going into it that I should expect a hilarious show. What I wasn't expecting was the level of excellence across the board. The catchy songs, the choreography and the actual performances by the actors were all wonderful. Yes, it's a show written by the creators of "South Park," but it's also a Broadway musical and includes everything that you would expect from something of that genre.  We're introduced to two Mormon missionaries who are traveling to Uganda. The odd couple have the classic characteristics of any opposites buddy comedy. Christopher John O'Neill is particularly entertaining in the quirky sidekick role of Elder Cunningham. Mark Evans plays his counterpart, the earnest Elder Price with unfettered enthusiasm. The two naive missionaries find themselves in the midst of a tiny village which is being attacked by everything from AIDS to militants armed with machine guns...

“Uneasy lies the head that wears a crown.”   So imagine you’re an actor and a director approaches you with a proposition. “How would you like to play a dozen different roles, male and female, young and old, in eight different shows? By the way, you’ll be performing these shows on the same day.” You’d question their sanity, right? Thankfully eight Indiana performers decided to embrace the challenge instead of calling the men in the white coats. The fact that this idea, born more than a year ago, became a reality is incredible.    The eight plays, listed below, have each been condensed into a single hour, a huge feat accomplished by Maria Souza. The result is a whirlwind of action; the fat is trimmed away and audience members are left with the core of each plot in a relatively easy to follow format. Catherine Cardwell, Polly Heinkel, and Thomas Cardwell each tackle the direction of a couple shows. Their styles work well together and there’s no drastic shift betw...

  In a city that rarely sees a production of Shakespeare without an easily recognizable name, the EclecticPond Theatre Company (ETC) has become a welcome respite. The group, which was founded in 2010, has embraced some of the Bard’s lesser-known works, with productions like “The Comedy of Errors” and “Shakespeare Wrote What? and “10x10.” Now, about to close its third season, ETC decided to tackle something big.   Their latest endeavor is the most ambitious to date, “The War of the Roses” covers eight of Shakespeare’s histories using on eight actors. The shows will be spaced over the course of four weekends with different batches shown on different days. Audience members will have the opportunity to see the shows all in one day, two at a time or four at a time. This unique experience, which has been in the works for more than a year, begins in June. The cast and crew are excited to see how this new challenge unfolds. There are three directors sharing the responsibilit...

Everyone’s favorite dark family is parading its macabre members across the Clowes Memorial Hall stage in a national tour of The Addams Family musical. The instantly recognizable characters are all there; from Lurch’s slow gait to Uncle Fester’s giggle.      In this latest rendition of the group, young Wednesday has fallen in love and is struggling to understand her new “sunny” disposition. Jennifer Fogarty’s plays the tempestuous girl and her powerful voice brings songs like “Pulled” to life. When her “normal” boyfriend is introduced it’s clear that everyone is embarrassed by their parents, no matter who they are. The patriarch of the family, Gomez, is played by Jesse Sharp. Despite the family’s ghoulish tendencies, Gomez is a loyal husband and devoted dad. His biggest problem is when one of those roles conflicts with the other and he has to keep a secret from his seductive wife, Morticia (KeLeen Snowgren.) The two always seem able to tango their way through...

Les Misérables has seen a resurgence in the past couple years. The popular musical, which tells the story of a convict who finds redemption, has been everywhere from Broadway to the Beef & Boards Dinner Theatre and is now on stage at the Booth Tarkington Civic Theatre. Yet despite being around for decades, there are still audience members at each performance seeing the show for the first time. It is with those individuals in mind that I recommend this production. Anyone who has seen the show many times will inevitably compare it, which makes it easy to pick out the flaws, but those seeing it for the first time will be swept away by the huge cast and the sheer scope of the story. The production’s minimalist set makes use of lighting over set pieces. The lighting design, by Ryan Koharchik, balances some tricky moments when one cast member is performing at the front of the stage and the set is being shuffled for the next scene in the back. The result is relatively smooth transit...

The Indiana Repertory Theatre’s production of “The Game’s Afoot” marks the first time I’ve ever seen a set receive a huge round of applause. The incredible thing is that the breath-taking grandeur of Russell Metheny’s set isn’t the only great thing about this show. The IRT closes its 42nd season with this incredibly entertaining play and anticipation is high for the start of their new season this fall.   Part farce and part whodunit, The Game’s Afoot is a playful mystery that pokes fun at actors and theatre critics alike. Matthew Brumlow plays the real life actor William Gillette who made Sherlock Holmes famous on the stage. Brumlow is the quintessential eccentric actor. He seems to have blurred the line between the famous detective he has portrayed and his own life. After being shot at the end of a performance, Gillette recovers in his mansion and welcomes his fellow cast members to visit on Christmas Eve. This dream cast is wonderfully suited for the ensemble show. ...

  Memory is a tricky beast and there’s no one who understands that better than siblings. An event might seem crystal clear in our own memory, but when we compare notes with the people who shared our childhood, we realize that our accounts invariably differ. This is the case for Molly and Jesse, siblings brought together for the first time in eight years by their father’s death in the musical Spun, onstage now at the Phoenix Theatre.  The original show, created by Bloomington native Emily Goodson and Jeremy Schonfeld, pairs a relatable story with rock music in a distinctive, raw style. Unlike some musicals, the show has a sense of humor about itself. After one of the first big numbers Jesse quips, “Well that was dramatic,” immediately breaking any barrier of awkwardness that can come from inserting songs into regular conversation. The simple moment sets the mood for the production, allowing audience members to embrace the style as the story explores the tangled mess of an...