The Golem of Havana is set in the 1950s as the people of Cuba waver on the brink of the revolution. A young Jewish girl named Rebecca is growing up in her father's tailor shop, oblivious to the turmoil around her. She writes stories of a superhero, the golem; the fabled protector she’s grown up hearing stories of from her European mother. When their maid’s son, a rebel fighter, turns up the family must make a decision that will determine their future in this volatile world. The premise echoes one that’s repeated too often throughout history. It’s a story of oppression and rebellion, strength in resistance and the tough moral choices that go hand-in-hand. It reminds me of Anne Frank's story and Les Miserables and dozens of others. Persecution is the same no matter what political face it wears. Maria, the family’s maid, is played by Teneh B. C. Karimu. She gives a powerful performance as a mother in search her child. Eric Olson, who has already proved his singing ...
Midwest theater reviews, everything from Broadway musicals to Shakespeare.