Stage Write

  There are a few Indy performers whose name alone is enough to get me to their show. Ben Asaykwee and Claire Wilcher are two of those actors. They’ve come together for “White City Murder”, an original musical Asaykwee created about the serial killer H.H. Holmes, who made his mark at the Chicago’s World Fair in 1893. To carry off a successful two-person musical conveying a massive amount of historical content, you need the most charismatic performers. I can’t imagine the show without Wilcher and Asaykwee. They swing from playful and campy to melancholy and disturbing in the span of a single song. They share props, trade accents, and use a simple red glove to play dozens of characters without ever making things confusing. The outrageous nature of the show keeps things moving at a brisk pace and it never lags. Most numbers use an audio looping machine to provide harmonies and backdrops. That, along with a piano built into a cabinet on the stage, is all they need to provide music in the