Stage Write

It’s not often you get a peek behind the curtain as an audience member in the theater. I was able to glimpse behind the scenes of the Indiana Repertory Theater’s latest production The 39 Steps. It’s impossible not to have a greater appreciation for a production when you see the actual hammering and sewing that it takes to make it happen. This particular show was done by the IRT in 2011 and many of the sets were saved. The theater-within-a-theater design and creative use of ladders and trunks made for a versatile set. It was easy to morph from a train to a plane with minimal shifts.   The show relies heavily on the gag of four people playing a huge cast of characters. Much of the heavy lifting lands on the shoulders of Ema Zivkovic and Michael Stewart Allen who each play a revolving cast of characters with enthusiasm. Often, they play multiple roles in the same scene, swapping wigs or jackets for a pipe and hat. The pair bring such energy to the play that you can’t help watching t...

Sometimes you don’t realize how badly you needed to laugh until your sides are aching, and your face hurts. The Indiana Repertory Theatre is certainly ending its season with a bang, in the form of a collapsing set and an abundance of laughs. The Play That Goes Wrong is known for inducing fits of hilarity in the audience. The plot follows a local community group putting on a murder mystery, but nothing seems to go as planned. Even before the show starts cast members dressed as stagehands frantically scramble to put things right. And it doesn’t stop there, things just snowball as the production progresses. For anyone who is used to attending theater, there’s an added layer of humor, if you understand the behind-the-scenes efforts that are cleverly portrayed with lighting and sound mishaps.  One of the most impressive aspects of the show is the elaborate set. It has to appear defective while remaining safe for all the performers. Christopher and Justin Swader are the scenic designer...

  Nina Simone was one of the most impactful voices of the Civil Rights movements. This play gives audiences a glimpse at her struggle to use her lyrics to fight during that horrific time. Her story is woven in with the 16th St. Baptist Church bombing in 1963. The set is built around a piano which provides live music throughout the show. There are stained glass windows, burned carpet, and collapsed pews, immediately pulling the audience into the tragedy. The success of this production rests on the voices of the actresses and what a success it is! Without incredible singers, the rest falls flat. Each of the four give beautiful performances, but it was the voices of Akili Ni Mali as Nina Simone and Jamecia Bennett as Sarah that brought the house down. Packed with such passion and incredible skill, they make the show pulse with righteous anger and sorrow. Bennett’s rendition of “His Eye Is on the Sparrow” feels like a portal into a church service. Akili’s fury is a sight to behold as...

A Christmas Carol is back at the Indiana Repertory Theatre. This holiday tradition is an audience favorite for a reason. New this year, Priscilla Lindsay directs and brings so much humor into the show with playful moments between the cast members. The set and plot are familiar but there are always unique elements. It feels like a well-oiled machine (in a good way) with a quick pace, smooth changes between the scenes, and a cast that’s wonderfully in synch. The chorus of actors narrating the story in Dickens’ own words works so well. I loved seeing the addition of a shadow show that helps flesh out Scrooge’s childhood scenes and adds joy to a sometimes bleak moment. Ryan Artzberger plays Bob Cratchit and his sweet interactions with Tiny Tim add a tender layer to the show and make the child’s fate all the more poignant. The costumes are absolutely lovely and including mannequins on the stage for quick coat changes worked well. I loved the displays on the second floor of the lobby which...

Do you think you know the story of Frankenstein? Do you picture a green-skinned creature with bolts in his neck? The true story is less about the monster than it is about its creator and this adaptation looks closely at the writer behind the story. It's a tale of man's hubris and catastrophic guilt and how very human those things are. In this Indiana Repertory Theatre production,  a cast of five makes up a group of young artists sharing their invented gothic tales on a stormy night. They then double as the characters in the story as it unfolds. They work well together, slipping easily between their respective roles. Mary Shelley, the writer who poured her own grief into the tragedy of Frankenstein is played beautifully by Rebecca Marie Hurd. Telling the story from her point of view turns it into a powerful mirror of her pain and brilliance. Hurd is the heart of the story even when not on stage. It's her struggle to search for "life in the living and not in the dead...

  Shakespeare's Will is a one-woman show about the Bard's wife. At a brisk 90 minutes, the show covers a lot of ground. The famous playwright leaves grief in his wake, but Anne Hathaway was a woman with her own story. Tracy Michelle Arnold brings an almost impossible balance of playfulness and grief to the role of Anne. She is not a one-dimensional spouse from a Shakespeare biography. She is complex, imperfect, angry, sensual, fearful, lonely, and so much more. As impressive as her range is in the characters she plays (Shakespeare, her father, her bitter sister-in-law, etc.), it’s Anne that is the heart of the story. How many women have stood behind their famous husbands throughout history, making the men’s success possible through their sacrifices? In the role of Anne, Arnold’s graceful, captivating performance, gives voice to those women. Brenda DeVita’s direction captures the perfect timing needed for the story. Moments of sweet remembrance intersperse with Anne’s painful pr...

  The Indianapolis Repertory Theatre is heating up these cold snowy days with a sci-fi classic. Fahrenheit 451 is on stage until Feb. 20 on the OneAmerica MainStage. One would hope that this play would become irrelevant in our world, but unfortunately, it’s more important than ever. Earlier this month a school board in Tennessee banned the Pulitzer-prize-winning graphic novel Maus. The book explores the Holocaust through the eyes of the author’s father. The essence of Fahrenheit 451 was born out of Bradbury’s fear that our society would become dependent on technology and lose its ability to learn and think. Now here we are, trapped in a cycle of relying on our screens for all interactions and choosing to remove books that teach the harsher details of our history from schools. It’s a disturbing realization and one that hits close to home when brought to life on the stage.  The original story is adapted by Tobias Anderson. As much as I adore Bradbury’s writing it was distracti...

  Have we ever needed a return to this cozy tradition more? The familiar landscape of fake snow and glowing lanterns welcomes new and old audiences to the Indiana Repertory Theatre’s A Christmas Carol. There are many new elements in the production this year giving it a fresh feel, full of hope and promise.  IRT regular Rob Johansen takes the reigns as Scrooge for the first time. Ryan Artzberger, who has played Scrooge for the past decade, steps into the role of Scrooge’s beleaguered clerk Bob Cratchit. IRT playwright-in-residence James Still directs Carol for the first time. There is also a more diverse cast than we’ve seen in the past, a great change! Johansen is a perfect fit for Scrooge. He captures the cranky character’s sense of sarcasm and scorn which transforms as the play unfolds. Johansen conveys a sincerity that makes Scrooge’s altered state believable and poignant. The talented cast members all play a slew of characters. Their narration of the show in unison and...

  Add together one book club, six members, six meetings, and what do you get? The answer is a lot of drama with a big dose of farcical fun. The Book Club Play is a fast-paced look at one group’s love of reading and how it shapes their lives. From Moby Dick to Twilight, the club tackles reads that shine an unexpected light on issues in their own lives.   The plot explores ideas of culture vs popularity. What makes a book a classic? What makes you a snob or a plebian? As a bibliophile, I loved seeing how expectations and preconceived ideas about books can shape your experience with them. I love the text scrolling over the set between scenes. The characters felt a bit one-note at times. There was a Type-A controlling leader, a frazzled introvert, and a confused jock. I would have loved a bit more character depth as the play progressed. Instead, I felt like they leaned into the stereotypes. The strength of the show lies in playwright Karen Zacarías’ ability to pull in the audien...

 Don’t let the comically large nose fool you, this one is a heartbreaker. The Indiana Repertory Theatre’s minimalist production of the classic Cyrano features just three actors. It’s a quiet romance about Cyrano (Ryan Artzberger) and his unspoken love for Roxane. There are a few sword fights, coordinated by Jeb Burris who pulls double duty playing six different characters in the show. Jo Roets’ adaptation clocks in at just 1 hour and 20 minutes, with no intermission. Melisa Pereyra truly shines as Roxane. Despite the hurdles of a virtual viewing, her passion, fear, and grief radiate off the screen. Her real-life spouse, Jeb Burris, makes for a convincing partner in their scenes together. Linda Pisano's lovely work on costume design allows believability as Burris navigates between all of his roles. Russell Metheny’s set design is functional but sparse, lacking the usual detail of an IRT production.  A note on the streaming experience. The show is $30 and you have a week to watc...

In 2001 an unarmed black man was killed by a Cincinnati police officer. A peaceful protest turned dangerous in the following days as the city erupted into riots. If that sounds a bit too familiar to you, you aren’t alone. The subject matter is achingly relevant. In the midst of the chaos, a small family hunkers down in their home above their dry-cleaning business. When the son, Felix, returns home with a drunk white man in tow the tension boils over. The dialogue between the mother and her twin children feels real and quickly pulls you into their comfortable family dynamic. There were quite a few stumbles over lines in this production, which can take you out of the flow of the play, but it wasn’t too distracting. It’s only worth noting because, unlike live theatre performances, a recorded production will not change from night to night.  Truths are revealed as the riots rage on and important issues are addressed. Hearing about the black experience, the unavoidable hurdles they fac...

In 2008 the country was in the midst of a massive economic recession. That year the Indiana Repertory Theatre produced This Wonderful Life, a one-man show that celebrates the classic film, It's a Wonderful Life. It's appropriate that the theatre would return to that joyful play in 2020, a year that has been so heartbreaking. Never before have we so badly needed the reminder that family and friends are the most valuable part of our lives.  Rob Johansen plays the storyteller, recreating the movie with an exuberant performance. He single-handedly brings each character to life. In the blink of an eye, he switches from the evil Mr. Potter to the coquettish Violet. If you know the movie well, you can probably say many of the lines along with Johansen. It’s almost a retelling, but with some added commentary about 1946 and the impact of certain scenes. You can’t recreate live theatre with a recorded performance, but the care that was put into the production is excellent. Benjamin ...

Less than a week ago I saw Murder on the Orient Express at the Indiana Repertory Theatre. The set was opulent and the murder was crackling with tension and humor... and no one else will get to see it. Since that night the IRT, along with almost every arts organization in the city, has decided to cancel the rest of its shows through the Spring. There are directors, set designers, and actors who have poured their hearts into these productions that the public will never see. It's heartbreaking. The city is going dark in the hope that we can stop the rapid spread of COVID-19. It's a hard choice, but one that is incredibly important for the safety of the public.  That being said, the arts community, restaurants, and small businesses in our city are facing a very tough time. As people practice social distancing they are not attending events, eating out, or shopping, but that doesn't mean you can't support those places! You can donate directly to the theatres. Check t...

All aboard! The Indiana Repertory Theatre's Exploring Stages program is currently producing "The Little Choo - Choo That Thinks She Can", written by James Still, the playwright-in-residence. He's reimagined the classic tale through the eyes of an imaginative brother and sister. Devan Mathias and Isaiah Moore play the enthusiastic duo. They throw themselves into the roles and embody the frustration, joy, and vulnerability of two kids.  Throughout the show Frankie Bolda provides dozens of musical embellishments to each scenes. Kazoos, tambourines, cymbals, and train whistles make up her costume and add to the fun.  As the little train attempts to climb the big hill the children in the audience find themselves cheering her on. The story, by its very nature, is repetitive, but it gives the kids a chance to grasp the idea and works well for the youth audiences it's intended for.  Grab your kiddos, nieces and nephews, or  grandkids  and visit the...

Indiana Repertory Theatre has announced the 2019 - 2020 season, which ranges from classic and beloved stories to thought-provoking and diverse work. Scheduled from September 4, 2019 to May 10, 2020, the season will take audiences on a journey through modern and historical times, realistic and magical elements, and intense and heartwarming emotions.  New elements this upcoming season include an expanded schedule for the Exploring Stages production The Choo-Choo That Thinks She Can to provide options for both fall and spring performances, and this year’s version of A Christmas Carol will feature certain design updates that have not happened in more than fifteen years. Marking a quarter century of support for the Indiana Repertory Theatre, OneAmerica Financial Partners is the Season Sponsor for the 25th straight year. This support will continue for the 2019 - 2020 season and is pledged through 2025. Twelve Angry Men by Reginald Rose September 4 – ...

Real life isn’t easily split into two categories, comedy and drama. It’s a mixture of joy and grief, often at the same time. Every Brilliant Thing captures that perfectly. The one-man show tells the story of an unnamed man whose mother tried to commit suicide multiple times. In an effort to show her all the things she has to live for, he begins a lifelong list of brilliant things when he's only 7 years old.   A one-person show is so dependent on the correct casting and this production couldn't have done better than Marcus Truschinski. He  embodies the role with charisma and a generosity that welcomes audience interaction. Under Tim Ocel's excellent direction, Truschinski's warmth engages the audience in each scene. He improvises as the show naturally digresses as audiences members are asked to fill small roles. The inclusions feel natural, not forced, creating a unique show each time. The set is deceptively simple. Reuben Lucas designed it so the audience is seate...

Three men claiming to be Sherlock Holmes are being held in an asylum on an island. The famous detective's trusty sidekick, Dr. Watson, must make his way to the remote isle to identify the true Sherlock. The Indiana Repertory Theatre's season opener is a twisty mystery that keeps you guessing until the final moments. It takes a minute for the show to hit its rhythm, but it's worth settling in to wait and see how the identities are revealed.   The set is one of the most extraordinary the IRT has created. Its gothic design layers stairs and ledges deep into the stage. There is even an aperture that opens and closes to reveal different characters and gives the audience the feeling of being inside of a camera at times. Kudos to Robert Mark Morgan for its creation.  Each of the three Sherlocks have a unique take on the role. One is classically clever, two is grief-stricken and emotional, and the third is literally catatonic. The seven-person cast keeps the show hummi...