Stage Write

  It’s that time of year again! Christmas shows are popping up all over town and whether you’re a fan of traditional or playful, there’s something for everyone. The Phoenix Theatre’s annual Xmas show is a mix of song, dance, parody, and poems. My favorite part about it is that it’s different every year. The content is fresh and ever-changing, so while you might not love every skit, at least it’s something new! The 11th annual show focused on celebrating the holidays internationally. A narrator shared bits about unique traditions around the globe between the scenes. The set utilized multimedia screens that showed song lyrics and photos throughout the show.   During a dance sequence I felt myself appreciating that the Phoenix never constrains itself with meeting every social norm. The dancers were not a uniform body type and it was beautiful. The theatre consistently tries to represents people from many walks of life, instead of just one traditional Midwestern one.    The to

When audience members enter the Studio Theat er in the Carmel Center for the Performing Arts they are transported straight into the Kit Kat Klub in 1930s Berlin. Scantily-clad dancers say willkommen as they point you to your seats and the red lights set the mood. Cabaret is on stage now and the timing couldn’t be better.  Cliff (Eric J. Olson) is a young American author who finds his way into the city in the midst of a perpetual celebration.. He meets Sally Bowles (Cynthia Collins), a whirlwind of flirtatious energy and a singer at the Kit Kat Klub. Despite their drastically different temperaments, the two pair off.  Ben Asaykwee is the infamous Emcee and it’s worth hightailing it to Carmel for his performance alone. He steals every scene he’s in with a raised eyebrow and lascivious grin. His performance is more Alan Cumming and less Joel Grey, but with its own unique feel. Whether he’s teasing the dancers on stage or posing with a pineapple, you can’t look away.

Bard Fest wrapped up its second annual events this past weekend. This year’s festival included three different Shakespeare productions, by three companies, in rotation: Twelfth Night from Garfield Shakespeare Co., King Lear from First Folio, and Coriolanus from Catalyst Repertory. One highlights of the festival is that audiences are able to see plays that are rarely produced in Indiana .  I was only able to make it to King Lear, something I hope to remedy next year. The productions obviously have a small budget, but they make the most of what they have. Costumes are simple and the stage is sparse, highlighting the performances over the atmosphere. Carey Shea’s direction wisely focuses on relationships over action sequences. David Mosedale is the titular king. He’s flustered and frustrated by his situation. His brokenness is clear in the second act. Ann Marie Elliott plays both the rejected daughter Cordelia and the Fool. Her performance as the former is emotional and hear